Beauty Parlor Stills





Stills of Joyce and fellow cast members in 1932's Beauty Parlor.

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Joyce in Salute (1929)

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  After a time spent toiling in Hollywood’s margins, Joyce Compton finally arrived as a full-fledged actress in 1929. That year, she received one of her earliest substantial roles in Salute —a film also important in the career of its director, the legendary John Ford.   In Salute , Joyce is her usual delightful self as a saucy young temptress named Marian Wilson. As with Ford’s other movies, however, the predominant focus lay with the male characters and the strong camaraderie between them. This melodrama splashed with comedy follows the relationship of two brothers: confident, athletic John Randall (George O’Brien, a bit smarmy and reminding this viewer of Pre Code star Ricardo Cortez) and his more cerebral younger brother, Paul Randall (forgettable William Janney). Through a strange set of circumstances, they are raised by separate grandparents, and thus when they come of age they end up attending rival colleges. O’Brien stands out an Army cadet at West Point, while Janney b...
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Three Girls Lost Stills

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I have a couple of stills to share from Miss Compton's pre-Code melodrama Three Girls Lost (1931). Here's Joyce with co-stars Loretta Young and Joan Marsh (below) and by herself looking cute as a button (bottom).
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Picture it: Hollywood, California, sometime in 1997. I'm a tourist on my first trip to the iconic Walk of Fame on Hollywood Boulevard. Me and my boyfriend take a detour into a little autograph and memorabilia store called STARWORLD. Although they have an impressive array of signed, framed photos on the walls, my eye is drawn to a little box on the floor marked “Clearance.” I crouch down and leaf through the glossy 8 by 10s in the box, seeing a bunch of has-beens, never was-es and forgotten child actors from the ’70s and ’80s. Near the bottom, however, I spy a diamond in the rough—an autograph from my favorite “dumb blonde” of Hollywood’s Golden Era, Joyce Compton. In the photo, she is wearing a chiffon dress with a spray of fake lilacs on the bodice, a lacy negligee partically obscured by sheer layers of gown fabric. Joyce’s curly handwriting matches her blonde hair, and it matched the images I recalled from old movies—cute and bubbly. Priced at seven dollars, it became my first ...
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